As an academic and researcher my specialisms are in sound design and audio narratives for performing spatialised electroacoustic "soundworlds" using field recordings and manipulations off those field recordings to perform and create coherent and realistic soundscapes of fictional environments. 
I also provide tailored audio experiences for clients for a wide array of different media ranging from TV, Movies, Radio and foley to underscore using a variety of different sound recording and capture techniques and hardware and software tools. My commercial portfolio includes performance works as well as foley and TV/Film work. 
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Recording Gravel and Sea off the Aberdeen coast, UK. Possibly the world's greatest naturally occurring granular filter sweep. Three microphone array "Decca Tree" array is ideal for ultra-wide soundscape capture.
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Winter forest recording in Romania. Longform recording. Microphones are front/back ORTF array to capture mono front and back reflection for a client requiring a filmed slow forest transition into a forest soundscape. Reference recording was converted into a 20-minute time-condensed edit/composition.